PS to Tadanori Yokoo on Twitter (2)

P.S. to Tadanori Yokoo on Twitter Part Two:
That is not to say that an artist isn't confident of one's value.
If you aren't sure you're worth godzillions of dollars, then you can't be an artist.
You would need to believe that to go on.
Yokoo tweets you just do what you do and then someone comes around who thinks it's great and pays for it.
He started out as a commercial artist and was extremely successful.
And then, in the 1990s he turned his back on all that suddenly and decided to become just an artist.
That's partly why his Twitter pronouncements about getting paid for art hold special meaning.

Annette Borromeo Dorfman

Annette has been my friend for a long time because we used to ride the Chuo Line together to go to high school in Tokyo.
She is also a great artist.
This is one of her recent works.
Doesn't it look like someone went back in time and was there to take a photo of "Madonna and Child" and painted inspired by that photo like a magical-realist/photo-realist?
Isn't it a quirky but an absolutely sublime mix of old and new, the profound and the everyday?
The faces in her paintings are self-portraits as mother/woman/believer/goddess/artist/
because all art is about that.
This painting already got sold.
But there are others, which can be seen on her Facebook link.

Up-and-coming stars of AMANOJAKU taiko

AMANOJAKU taiko drums at SuperDeluxe club in Roppongi, TOKYO.
The three younger stars of Amanojaku take their thunderous beat out of the usual concert halls to the hip-hop clubs of Tokyo.
The event explores where else taiko can go as modern music.
THU May 13, 2010. 8 p.m.
SuperDeluxe
3-1-25 Nishi Azabu Minato-ku
Tokyo, Japan
4,000 yen at door (3,500 yen advance) ticket includes one drink.
Photo (from left to right):
Daisuke Watanabe, Isaku Kageyama, Chris Holland.
They're all in their 20s, students of Amanojaku leader Yoichi Watanabe, but all play with him in the professional troupe, which just had a fantastic concert at Tokyo FM Hall last week.

More information on Amanojaku and to watch a video clip of Amanojaku.
Isaku's official website.

Tadanori Yokoo on Twitter (part three)

Tadanori Yokoo on Twitter drops names and makes you hungry.
He says Yoko Ohno came by and had sirloin "tonkatsu" in the middle of the day because she is a sizzling greasy hot person, and he himself was a bit worried about heartburn.
He also says Yukio Mishima ate steak at least once a week because he believed that art is about the body, not just the mind, and forgetting the body in art makes you a big-headed wimp.

Tadanori Yokoo on Twitter (part two)

Tadanori Yokoo on Twitter says, if you are doing what you truly believe in, what other people say ("hyoka" or social evaluation/assessment) doesn't matter.
No one really does art to get something back in return.
No one really knows if art is valid or not.
Evaluation/assessment is something that is determined by a commercial market, job contract or social hierarchy.
That's when evaluation/assessment becomes relevant _ and it must be fair and accurate or else someone is getting exploited, which goes contrary to what art is about from the get-go.
But it is important to remember that something monetary, contractual and social is involved in those endeavors in which evaluation/assessment takes meaning.
But art is not a job and has nothing to do with all that.
That is the privilege of art and also the painful difficulties of art.
Art by definition means you will never be properly evaluated.
No one will come pat you on the back and say: hey, your art is great.
Unless it is an evaluation/assessment that makes art commercial, a job or a reflection of social ranking, which isn't really about art at all but something just maybe related to art only in the sense that artists are human and need to eat and pay rent.
That is why doing any commercial marketing activity for your art is a big pain because you have to do it even though it isn't relevant or really meaningful.
At least, even if everyone ignores you and your art, you know you don't care.

Tadanori Yokoo on Twitter

The way Tadanori Yokoo uses Twitter gives the technology a new dimension. He tweets the way he draws. It's an approach to life/death and meaning/meaninglessneess and the gaps/spaces in-between. He throws his words out as they cross his mind, reaching out to the other reality that is the shadow of death and the faraway universe inhabited by aliens calling out to us in beeps and brush strokes and gasps of a deranged poet. They come and go, lost into cyberspace, our blood, our flashes, our yearnings, our art. They are maybe ignored, cast away, or found and even treasured before being forgotten like grandmothers and mothers and aborted daughters, and they cross like sparkling crystal of stars through the black universe, hurling into consciousness and lives and thoughts and desperate clawing at art by lonely artists and careless carefree tweets.

wise words

DO YR ART D WAY U WANT
ANYWAY U WANT
ANY WANGOL U WANT
ITS UP TO U/WHAT WILL WORK
FOR U.

_ from "Catechism of d Neoamerican Hoodoo Church," a poem by Ishmael Reed.

taiko vs hip-hop

what does it mean to be Japanese? what does it mean to be American? what is yellow vs. what is black/white? what is Music? what is art? and what does it mean to be human? no easy answers ever but key questions in life and what being an artist is all about.

Taiko with bon odori tune "Hokkai Bon Uta"


Taiko with "Waterfalls" by TLC


Taiko with Snoop Doggy Dogg's "Ain't No Fun"