AP Story by Yuri Kageyama about SpongeBob in Japan
My story again and another photo
SquarePants
The problem that SpongeBob (or any marketing) faces in Japan is that cycles come and go so quickly it's almost impossible to be hip and mass at the same time. This goes against the stereotype that Japanese are conformist and do everything everyone else does and is hence by defintion always "mass." Being ahead of the crowd plays out as a cutting edge version of conformity. It's hard work to be cool.
About Me
- Yuri Kageyama
- Poet, writer in Tokyo. "The New and Selected Yuri _ Writing From Peeling till Now" Ishmael Reed Publishing Co. 2011. "Peeling" I. Reed Press. Poems, stories, essays in "Y'Bird" "Pow Wow: Charting the Fault Lines in the American Experience _ Short Fiction from Then to Now" "San Francisco Stories" "On a Bed of Rice" "Konch" "Breaking Silence" "Greenfield Review" "Beyond Rice" "River Styx" "Other Side River" "Yellow Silk" "Stories We Hold Secret" "MultiAmerica" and other publications. Read with Ishmael Reed, Shuntaro Tanikawa, Geraldine Kudaka, Victor Hernandez Cruz, Russel Baba, Seamus Heaney, Shozu Ben, Winchester Nii Tete, Eric Kamau Gravatt, Takenari Shibata, Toshinori Takimoto, Teruyuki and Haruna Kawabata, Keiji Kubo, Yumi Miyagishima, Carl Freire, Abel Coelho, Yuri Matsueda. "Talking TAIKO" a film by Yoshiaki Tago documents her poetry. "A Back Alley Asian American Love Story of Sorts" by Niccolo Caldararo of her story was shown at the San Francisco and New York Asian American film festivals, won awards at the 1986 Palo Alto Film Festival, 1987 Ann Arbor Film Festival, 1988 Onion City Film Festival. Magna cum laude Cornell University, M.A. the University of California Berkeley.
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